Associated Press AP

Next Year’s Most Wearable Women’s Trends

“WHAT IS REAL is what lasts,” said Oprah Winfrey in her toast to Ralph Lauren at his recent anniversary event in Central Park. After 50 years as a pivotal fashion figure with an unwavering American aesthetic, Mr. Lauren has outlasted his contemporaries like Donna Karan and Calvin Klein, both of whom no longer design for their namesake companies. At the close of a season marked by change, Mr. Lauren’s consistency stands out in a mutable fashion landscape. While some brands are still defined by their core DNA, others have been reinvented by a revolving-door procession of creative directors.

At the label Mr. Klein launched in 1968, originally known for its beige-y minimalism, Belgian designer Raf Simons proposed inventive, postmodern clothing for spring with references from prom to “Jaws.” It was heart-poundingly fun, and relevant, but bore little resemblance to Mr. Klein’s blueprint. At Celine, which former creative head Phoebe Philo turned into a brand beloved by women for its professional yet comforting shapes, Hedi Slimane divisively pulled the accent off the first “e” and sent sharp, very-Slimane tailoring and abbreviated dresses down the runway. The renegade designer Demna Gvasalia continued his sleight of hand at Balenciaga, combining elements from the brand’s past (like architectural waistlines) with technical fabrics. More faithfully, Pierpaolo Piccioli drew gasps for his gowns at Valentino, many in the brand’s signature scarlet color. And as one of the few designers who rivals Ralph Lauren’s longevity, Miuccia Prada unveiled delightfully (and characteristically) eccentric efforts at both Prada and Miu Miu. A variation on Ms. Winfrey’s sentiment seems likely to be chewed over in seasons to come: Do women want consistency or evolution?

Next Year’s Most Wearable Women’s Trends
Seeing Spots

That Betty Boop-ish vintage standby, polka dots, was given new life. From left: a sweet minidress at Carolina Herrera (care of a new designer, Wes Gordon); a sheer frock (slip required) at Prada; volume play at Celine; va-va-voom mega-dots at Dolce & Gabbana; a baby-doll at Burberry (newly designed by Riccardo Tisci).

Next Year’s Most Wearable Women’s Trends
To Dye For

This season proved that tie-dye, against all odds, can be refined. From left: An acid-washed interpretation on the cool girls at Proenza Schouler; a ladylike, deconstructed, shibori-style skirt at Prada; hints of a Bali summer gone absolutely right by Paco Rabanne; a silken slip dress at Christian Dior ; a showstopping, full-tie-dye jumpsuit (on Kaia Gerber, Cindy Crawford’s daughter) at Stella McCartney.

Next Year’s Most Wearable Women’s Trends
Shore Things

Retro beach vibes harked back to more glamorous summer travel. From left: patterned splendor at Etro; that Goa lifestyle at Chloé, a fringed ensemble at Valentino for SPF-50 types; the ultimate embroidered caftan at Tory Burch; a yé-yé-girl shift at Chanel, where the models walked barefoot on a ‘beach.’

Next Year’s Most Wearable Women’s Trends
Noir Hour

Inky, gathered, voluminous dresses were a novel idea for evening. From left: Thick navy knots show Rei Kawakubo’s mastery at Comme des Garçons; an off-the-shoulder gown at Valentino; The Row’s sheer layers of chicness; Simone Rocha’s silk taffeta garment, topped off with a lacy veil.

Next Year’s Most Wearable Women’s Trends
Practical Magic

Refined utility looks will make phone storage a cinch in spring. From left: Sheer pocket play at Fendi; Givenchy’s luxe cargo pants are wish list-worthy; Hermès nailed the pocket-y jumpsuit; at Loewe the pockets were almost as big as the garment; Louis Vuitton’s futuristic woman uses old-school utility tricks.

Next Year’s Most Wearable Women’s Trends

From left: Croc coat at Burberry; a pearly gradient at Gabriela Hearst; ruffled sleeves at Max Mara; stripped-down stripes at Tod’s.

More in Style & Fashion

Appeared in the October 6, 2018, print edition as ‘SPRING THEORIES ROLL Things We (Mostly) Loved.’

Eminem Infects An Entire City With A Shady Symbiote In ‘Venom’ Video

Just in time for the release of Marvel’s blockbuster Venom, Eminem has released the official video for his track of the same name. Unsurprisingly, it’s a dark and murky affair that has plenty of body-hopping symbiote action but, sadly, no Tom Hardy.

The “Venom” visual is a continuation of Em’s video for “Fall,” which ends with him smashing a CD copy of his (oft-panned) 2017 album, Revival. That disc houses an alien symbiote similar to Venom’s, and it causes a bunch of everyday people — and even a dog! — to spaz out and rap Em’s bars while haphazardly infecting one another. After working its way through the city, the virus eventually gets back to the Detroit MC, who in turn morphs into Venom itself in the vid’s final moments.

Along with appearing on the film’s soundtrack, “Venom” is the closing track on Eminem’s recent surprise-dropped album Kamikaze, which hit No. 1, becoming the rapper’s ninth chart-topping solo project. Venom hits theaters today (October 5).

New Hellboy Image Shows Off The Main Cast And Plenty Of Monsters

Maybe heaven can wait, but hell certainly can’t with the triumphant return of Hellboy coming soon. It’s been ten years since Guillermo del Toro’s Hellboy II: The Golden Army starring Ron Perlman was released, and fans have been impatiently awaiting another film. When it was announced that a new Hellboy movie was being made, it promised a reboot instead of a conclusion to the previous franchise. October started fans off strong with a new blazing new poster of Stranger Things‘ David Harbour transformed into the badass hero. With New York Comic-Con is underway, the cast of the upcoming Hellboy are set to make their debut at a Saturday panel. In honor of this, a new image featuring more of the cast has been released. Take a look:

What a hellishly magnificent new poster! While David Harbour’s incredible straight-from-the-comics look is still front and center, this teaser shared on Twitter offers more to unpack for fans. On the left are creepy and gruesome devilish creatures to be unleashed in London. While Guillermo del Toro’s films imagined the beasts from the comic as more fanciful, director Neil Marshall will bring more horror elements to the R-rated reboot. In the center, (below Hellboy) is the first look at Milla Jovovich as Nimue the Blood Queen. The Resident Evil actress will be the main antagonist of Hellboy who threatens the fate of the world. To the right is the rest of the main cast including Lost’s Daniel Dae Kim as Ben Daimio, American Honey’s Sasha Lane as Alice Monaghan and Deadwood‘s Ian McShane as Professor Trevor Bruttenholm.

The new poster gives us a broader sense of the movie in anticipation for the Comic-Con panel tomorrow, and if predictions are true a trailer could also drop tomorrow. The highly artistic feel of the poster reflects Hellboy comic book creator Mike Mignola’s involvement in the script writing alongside Andrew Cosby. Mignola previously said that his visits to the Hellboy set felt like he was seeing something ripped straight out of the comics for the first time during production. This is certainly exciting for fans of the source material to bring the complicated hero to life in a new way.

Hellboy was originally set to be released in January, but last week it was announced that the release will be pushed back until April 11, 2019. With buzz just getting started for the new Hellboy, the movie will likely benefit from this date change. The comic book adaptation will now head to theaters just one week after Shazam!. With more time to market the film and generate more excitement for the film with teasers such as this, Hellboy could be a huge box office success.

Remaining Telltale Games Staff Continues To Shrink

This is just the latest in the complicated and disheartening tale of the closure of Telltale Games. Reports following the initial firings stated that new employees were brought on the week prior; seeming to signify that it caught the studio itself by surprise. Further reports were that Telltale expected funding from a source that, at the last minute, decided to withdraw its support. That, in turn, led to the sudden closure of the studio. On top of that, some employees have opted to sue their former employer, as a closure of this magnitude, according to their claim, requires around a 60-day notice to be given to those affected. As for Telltale, they’ve since disabled sales of the final season of The Walking Dead and have begun looking for a way to get the story completed, potentially by a different studio.

DC Universe’s Titans Will Deliver A New Deathstroke

The anticipation surrounding DC Universe’s Titans is growing, and a fresh bit of info from the series’ writer and producer has the power to ramp up the anticipation for it even more. While at New York Comic Con, Geoff Johns teased that the show would be foolish not to tackle The Judas Contract, which would mean having to introduce the Teen Titans’ archnemesis: Deathstroke. There is a twist to this Deathstroke news though. Here is what Johns had to say:

That’s right! Geoff Johns confirmed that Titans would eventually introduce the character of Deathstroke with a hint of change in the air. The news comes from the DC Universe panel at New York Comic Con (via ComicBook) and the keyword that Johns says is “new.” What exactly he meant by a new Deathstroke is unclear. It is a crucial bit of info that is destined to send speculation soaring. For Titans to want a new take on the character makes sense given the competition it has received from other adaptations.

In the Arrow-verse, Deathstroke has been played by Spartacus‘ Manu Bennett. In the movie universe, True Blood‘s Joe Manganiello is the latest to play the Teen Titans’ greatest enemy. Whether the “new” Geoff Johns is referring to has to do with casting or the backstory of the character being different is unknown. With so many iterations, it will be intriguing to find out how Titans plans to set their Deathstroke apart from the ones that have come before.

As for Geoff Johns’ assertion that fans will “eventually” see Deathstroke on Titans — that leaves the door open for when exactly fans will catch a glimpse of the villain. The new DC Universe series will have time though, as it has already been renewed for a second season before its first one has even premiered. While that is good news for the show’s future, it theoretically pushes out the potential debut date of the new Deathstroke, unless he makes an appearance in Season 1.

As of now, fans will have to settle for debating what Geoff Johns’ “new” could mean, as it hints at any number of things. Given how alive the character has been on-screen, Titans will have its work cut out in finding a direction that is fresh. The other exciting part of this Titans news is that Geoff Johns is simultaneously confirming interest in adapting The Judas Contract while teasing the introduction of Deathstroke, which makes sense given the two go hand-in-hand in comic book canon.

Whether Titans introduces Deathstroke in an adaptation of that storyline or beforehand to establish the character will be fun to learn. In the meantime, you can start watching Titans when it premieres Friday, October 12 on DC Universe. From that point forward, new episodes of the 12-part season will drop weekly on the new streaming platform. With some time still left to go before Titans is released, there are a lot of other fall offerings to entertain you while you wait.

Fall’s Plaid Boots: Which Height is Right for You?

Fall’s Plaid Boots: Which Height is Right for You?
Photo: F. Martin Ramin/ The Wall Street Journal


The Blocky Boot

Though it’s sky-high, a chunky build makes this boot stable for city streets. Kyoto Boots, $695,3.1 Phillip Lim, 212-334-1160

Fall’s Plaid Boots: Which Height is Right for You?
Photo: F. Martin Ramin/ The Wall Street Journal


The Socky Boot

A slim, glovelike profile makes for an elegant, less-elevated silhouette. Amina Muaddi Boots, $790, Forward, by Elyse Walker, 866-434-3169

Fall’s Plaid Boots: Which Height is Right for You?
Photo: F. Martin Ramin/ The Wall Street Journal


The Cocky Boot

The mirrored, confident, modest heel on this tweedy take sparkles. Short Boots, $1,200, Chanel, 800-550-0005

Fall’s Plaid Boots: Which Height is Right for You?
Photo: F. Martin Ramin/ The Wall Street Journal


The Talky Boot

With its in-your-face “BB” logo this kitten-heel shoe speaks for you. BB Boots, $1,450, Balenciaga, 212-206-0872

More in Style & Fashion

The New Mortal Engines Trailer Is Gorgeous And Epic

A lot of the biggest films this holiday season are reboots, sequels or familiar big-name properties. Standing out from the pack of blockbusters in that regard is Mortal Engines. The film is based on the novel of the same name by author Philip Reeve and it is coming from the Lord of the Rings writing trio of Fran Walsh, Philippa Boyens and Peter Jackson. Mortal Engines is a YA film with a steampunk aesthetic that looks positively nothing like the rest of the holiday slate. The latest trailer for the film has been released and it is the best one yet, teasing a positively gorgeous film with an epic feel. Take a look at the new Mortal Engines trailer below.

Despite how intrigued I was by the concept and wanted to love the first couple trailers for Mortal Engines, I was underwhelmed. This trailer though I feel does a much better job at selling this movie. It gives us a good look at different parts of the film that are more interesting than we’ve previously seen, and the special effects here also look much better. This film is a visual feast. Mortal Engines is the directorial debut of Christian Rivers, who worked on the visual effects for the Middle Earth films and won an Oscar for his VFX work on King Kong, and it shows in this trailer for Mortal Engines. Aesthetically, this movie is positively gorgeous. Everything from the griminess of the cities to the eye-popping color of the skies and landscapes keeps you transfixed on the trailer and demands that you see this movie on the biggest screen with the best projection possible.

In addition to the captivating visuals, this Mortal Engines trailer further expands on the history of the protagonist and the story of the film that centers on a megalomaniac, a rebellion and a mysterious girl. Comparisons to Waterworld have been made, but that’s not necessarily a bad thing. Clearly Hera Hilmar’s Hester Shaw is important, but this trailer still doesn’t tell us why she’s special. But maybe we’re not supposed to know that yet and that’s a journey we go on with the character.

The first teaser made it seem like this was standard YA fare in a different wrapper, but this latest trailer, with its steampunk aesthetic and zany characters, gives it a different feel. I’m getting strong vibes of other quirky sci-fi/fantasy flicks like Stardust, The Fifth Element and Snowpiercer (although the director has made other comparisons). Hopefully Mortal Engines leans into that weirdness.

This film also feels positively epic and grand in scale. Just watching the trailer you feel like you are going on a huge journey with these characters. Mortal Engines is an adaptation of the first novel in a four part series, but that novel can apparently stand on its own. This movie looks like it will introduce a whole world worth exploring and maybe it will get a chance to do that with sequels if Mortal Engines can stand out in a crowded holiday season.

Mortal Engines rolls into theaters on December 14. Check out our release guide for all of the biggest movies you can look forward to this holiday season.

The Quiet, Impressive Way A Star Is Born Challenges Toxic Male Egos

One of the most surprising moments in A Star Is Born has nothing to do with the core storyline. It’s a small moment in which Bradley Cooper’s character, alcoholic rock star Jackson Maine, autographs the fake breasts of a drag queen named Emerald, played by RuPaul’s Drag Race vet Willam.

For context: Jackson had stumbled into the gay bar looking for his next drink, but doesn’t leave when he realizes a drag show is taking place. Instead, he sticks around and sees—and hears—Ally (Lady Gaga) for the first time. What follows is an electric conversation, made even more dynamic by Emerald and the other fabulous drag queens who surround them.

What stuck out to me was how Jackson is unfazed by the queens. He chats and bonds with them in a seemingly authentic way, which brings me back to his exchange with Emerald. It’s witty and bombastic, but also important. Rarely in pop culture do we see straight men—let alone weathered country singers—be so comfortable with queerness. Think about how the football players on Glee treated Kurt (Chris Colfer) when he showed up to school in women’s clothes, or the mocking comments Chandler (Matthew Perry) made about his drag queen father on Friends for just two examples.


PHOTO: Warner Bros.

Jackson Maine (Bradley Cooper) in A Star Is Born

But his “wokeness” goes far beyond just tolerance. Jackson also isn’t afraid to indulge in a little flamboyancy himself. At the beginning of the film, for example, he’s enamored with the Edith Piaf-inspired eyebrows Ally wears to perform “La Vie En Rose.” So enamored, in fact, that Ally later tapes them onto him while they canoodle in the bathtub. (She also paints his nails, and then they have sex.) This may seem minuscule, but it’s still novel to see such a guy’s-guy be at ease wearing makeup. These scenes are incredibly liberating and say something significant about Jackson: Yes, he’s masculine, but he’s certainly not toxic.

That’s a critical distinction to make because up until this point, all the male leads in the A Star Is Born films have been. “Jackson Maine” has essentially been played three times in the past: by Kris Kristofferson in 1976, by James Mason in 1954, and by Fredric March in 1937. It’s difficult to say how these characters would have behaved in queer settings because there aren’t openly LGBTQ+ characters in the older movies. However, their toxic masculinity flares up in a completely different capacity.

In all three earlier versions of A Star Is Born, the rock-star character grows to resent the success of the woman he helps break into showbiz. That resentment is only fueled by his addictions, leading to devastating and destructive outbursts. This happens in the latest iteration of A Star Is Born too, but the source of Jackson’s resentment isn’t that Ally is eclipsing him: It’s that she’s losing her identity—or so he thinks.

As Ally’s music stardom rises, a record executive swoops in and revamps her entire image, dyeing her hair and swapping her soulful ballads for generic dance-pop. It’s a nuanced transition, though: Ally does put her foot down in some instances, proving she has some degree of autonomy over the changes in her career. But there are definitely compromises she makes, and that’s what pushes Jackson over the edge. He genuinely believes in Ally and what she has to say.

“The difference between Jack and the other guys [from the A Star Is Born movies] is he doesn’t resent her success whatsoever,” Bill Gerber, one of the producers of the new A Star Is Born, tells Vanity Fair. “He’s upset that she’s not being true to her voice, and what he fell in love with, and the kind of music she wanted to create. It’s her pop turn that starts the rift between them, not her success.”

The other A Star Is Born men want their female partners to be successful, sure, but not at the expense of their own egos. Cooper’s Jackson Maine doesn’t have one, though. He’s comfortable, even encouraging, of Ally having the spotlight, which is a refreshing update to this age-old story. Also refreshing—albeit heartbreaking—is how Jackson only begins his downfall when he feels like Ally is selling out. All he wants to do is amplify her voice; that’s a very poignant thing to show on screen, especially now.

Too often in our current climate we see women shamed for having a voice—or worse, pressured into silence. The music industry, in its own subversive way, tries to do this to Ally, and it infuriates Jackson. She’s completely capable of standing on her own, as evidenced by the final scene, but it still feels satisfying to watch a man fight this hard for a woman to use (and keep) her voice.


PHOTO: Warner Bros.

Ally (Lady Gaga) and her friend Ramon (Anthony Ramos) in A Star Is Born.

Is Jackson a flawed character? Absolutely. He breaks Ally’s heart and trust multiple times in the movie, but he’s never anything but supportive of her dreams. That’s crucial. Ultimately, Jackson’s alcoholism is his downfall—not the fact that he can’t deal with Ally’s supersonic success. It’s sad, but it’s not misogynistic.

That lack of ego is why A Star Is Born is so exciting to watch, and a welcome reprieve from the adaptations that came before it. The movie is a triumph, full stop. Cooper and Gaga give powerful, skilled performances; the music is thrilling; and there’s a central narrative that captivates you from beginning to end. But interwoven between the thrills is a sharp commentary on masculinity. We can certainly learn something from Cooper’s Jackson Maine: a tragic hero with horrible vices but a warm, open heart. “Maybe it’s time to let the old ways die,” he sings at one point in the movie—and everyone, men in particular, should heed that advice.

Christopher Rosa is the staff entertainment writer for Glamour.

Why Star Wars Resistance Is Set Before The Force Awakens

Star Wars Resistance is only days away from hitting the airwaves on Disney Channel, and it promises to deliver Star Wars action to the small screen, help fill in some blanks in the current timeline of that galaxy far, far away, and explain what happened to some of those former Rebel and Imperial pilots after the events of the original trilogy. It is actually set in a time and place that has been largely unexplored by other projects in the saga: before The Force Awakens and in the Outer Rim.

Resistance executive producer Justin Ridge spoke with CinemaBlend about all things Resistance (including how it was impacted by previous series The Clone Wars and Star Wars Rebels), and he had this to say about why the new show is set before the devastating events of The Force Awakens:

As many Resistance viewers will undoubtedly know thanks to The Force Awakens, the galaxy is in for a devastating tragedy when the First Order unleashes Starkiller Base on the New Republic. The show isn’t just set at a random place in the decades between the happy ending of Return of the Jedi and the dark beginning of The Force Awakens. Its placement in the timeline means that it can tie into the events of the first movie of the sequel trilogy, featuring characters like Poe and Captain Phasm and even BB-8 along with the newcomers like Kaz and The Aces.

Interestingly, the state of affairs being revealed in Resistance can be directly relevant to the sequel trilogy, especially since The Last Jedi takes place so soon after The Force Awakens. Justin Ridge also clarified how soon ahead of The Force Awakens that Resistance kicks off:

Poor Kaz and his new friends (and rivals) don’t have all that much time left before the First Order unleashes Starkiller Base on the galaxy, although it’s worth noting that not all of the news will be terrible. When Poe isn’t dropping by Star Wars Resistance, he’ll be busy helping Leia and the other Resistance leaders. While the Resistance (and Kaz) obviously won’t be able to prevent Starkiller Base’s upcoming strike against the New Republic, Poe will take it down, and we have to hope that Kaz and Co. will have contributed to that victory.

As is clear from the exciting trailers for Star Wars Resistance, the new show will be focusing on pilots and non-Force sensitive characters, meaning there will be some key fundamental differences between Resistance and the two shows that came before it. Poe’s victory against Starkiller Base proves that the non-Jedi characters are vital to fighting the good fight of the sequel trilogy era, even if the titles of the first two movies directly reference the Force and the Jedi. Justin Ridge explained why Resistance is focused on non-Jedi characters:

Naturally, a big question that will be on the minds of Star Wars fans is whether Resistance‘s place so soon ahead of The Force Awakens means that the show could eventually extend into the timeline of the movies. After all, both The Clone Wars and Rebels spanned multiple years before coming to their ends, although Rebels notably ended shortly before the original trilogy began, and showrunner Dave Filoni explained his understandable reasons why. Time will tell if the new batch of Clone Wars episodes will advance into the time of or beyond Revenge of the Sith.

When I asked Justin Ridge whether we could see Kaz’s story extend into the movie timeline, here’s what he had to say:

Star Wars Resistance premieres with a one-hour event on Sunday, October 7 at 10 p.m. ET on Disney Channel and DisneyNOW. It’s only one of the two upcoming Star Wars shows that will be set between Return of the Jedi and The Force Awakens. Be sure to tune in to meet some fun new characters in a truly unique location in the Outer Rim.

Ariana Grande Posted Photo of a Crib, and Her Fans Freaked Out

These days, there isn’t much Ariana Grande can do without her fans taking notice. The singer posted a photo to Instagram on Friday (October 5) to promote her new perfume, Cloud, but it wasn’t the fragrance box that had fans freaking out: It was the baby crib in the back corner of the photo, which appeared to be bathed in some sort of red warming light. Commenters—including Katy Perry—started demanding answers from the Sweetener singer.

“Ariana? Why is there a crib in the background?” questioned one fan. “WHAT IS COOKING IN THE CRIB,” asked Perry. When one commenter asked, “Why is there crib in the back tho?” Grande gave fans a momentary heart attack by responding, “my secret child duh.”

A few minutes later, she followed up with a more realistic explanation, and letting fans know that there isn’t any sort of Grande-Davidson bun in the oven. “That’s piggy smalls’ play pen in the background the red light is to keep ha [sic] warm,” she wrote.

Earlier this month, Grande and fiancé Pete Davidson adopted a micro-pig together (the aforementioned “Piggy Smalls”), who is now living with them in their $16 million apartment. In addition to being decorated in dorm-room chic decor, complete with beanbag chairs and an IMAX (but no forks), the space now also comes complete with a pig pen.

“She’s a top b*tch—she’s a bougie pig,” Davidson recently told Seth Meyers of the new four-legged addition to the couple’s household, which he jokes that his fiancé basically “summoned from the universe.” Considering Piggy Smalls has its own baby bed in a Zaha Hadid–designed New York City high rise (and her own tattoo homage on Davidson’s ribcage), we’d say “bougie pig” is an accurate description.

Related Stories:

Pete Davidson Broke His Social Media Silence to Flirt With Ariana Grande, Of Course